Dancing with Masks - 5 Tips
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Dancing With Masks – 5 Tips

At the end of last summer (2020), we attended two in-person dance competitions; one was outside under a ginormous tent (The Greatest Show, Part 1 and Part 2), and the other was inside a humongous expo center.  For both events, block scheduling was the order of the day, so we were the only studio in the venue each time.  Masks were required for spectators; the dancers only needed to wear them when they weren’t onstage. The kids placed their masks in a Zip-loc bag with their name on it, laid them on a table next to the stage, danced, and put the masks back on immediately after their number performed.

Going into this season, we knew the competition companies and venues would be making adjustments as needed to comply with the ever-changing COVID-19 protocols.  Being in touch with many dance moms, I knew it was not uncommon for events to require the participants to wear the masks while dancing.  As it turned out, we were about to get some firsthand knowledge of what it’s like to dance with a mask on.

Curve Ball

About a week and a half before our competition, we were notified that it had been moved across state lines.  Truth be told, I was not completely shocked by this; here in New Jersey, venue changes have become more common since comps resumed.  We also learned that we would be traveling to Pennsylvania, and that our kids would be required to dance with masks on.  

Honestly, I was more surprised by the mask mandate than the venue change.  After all, New Jersey has been a bit stricter with enforcing safety measures than many other states, and our protocols were some of the most restrictive in the country.  As many dance moms have already learned, the venue itself can institute tighter rules than the state it’s in.  So the studio began preparing the dancers for this new requirement.

The Day Of

Dancers with Masks On
Even though you can’t see them, there are big smiles under those masks!

When we entered the dressing room and began setting up our changing stations, the studio staff handed out two disposable masks per dancer – one tan and one black.  They announced which mask would be worn for each routine, and gave quick instructions on how to pin them back into the hair. 

The rationale behind two different masks was obvious – the colors should coordinate with the costume.  Yes, it would look a bit silly if a lyrical dancer in a soft pastel dress wore a stark, black mask across her face.  Pinning was necessary because many dancers in previous blocks watched helplessly as their masks slid down their faces, exposing their noses and mouths while they were dancing.  However, be forewarned that the two elements together combined to create a kind of “perfect storm.”

Who Saw That Coming?

During one of our group routines, one dancer’s mask was pinned so high up into her hair that it began to ride up her face once the number started.  Partway through the dance, our entire team executes a succession of turns; however, this girl simply could not see and, therefore, could not turn.  She did the only thing she could reasonably, safely do; she stood in place.  The snafu was obvious, and there is absolutely no way the judges missed it.  As if that wasn’t enough, there was another turn sequence later in the dance that the same poor child just could not execute (the mask was still ridin’ high). 

It’s nothing short of a miracle that the dance wound up placing second in its division; I can only assume the unlucky girl prayed for some sort of miracle while she stood in the middle of a pack of turning dancers.  From what I’m told, another dancer suffered a similar fate in a later routine as well.

What might have prevented this unfortunate accident was if we had stuck to one color mask, and kept it on throughout the entire block.  By the second dance, we moms would have known what adjustments would have needed to be made to keep it locked in place for the duration of our time.  But because we kept switching masks during the already-frenzied quick changes, we had no time to triple-check them before sending our kids onstage.  

Lessons Learned

Dancers - Bend and Penche
My girls’ lyrical duo. As a spectator, it was much harder to gauge their emotions with their faces hidden.

If your dancers are required to wear masks onstage at their next competition, I have a few words of advice.  

First, try to stick to just one mask for the entire block if at all possible. Doing so can avoid mix-ups, mask malfunctions (like we had), frantic searches when you misplace one, etc.  With the new block scheduling format, there is already enough to do without adding extra elements. Keeping one mask on for the duration cuts down on the chances of something going wrong.

Second, use a couple of bobby pins on each side to anchor the ear loops of the mask into the hair, but DON’T pull it too high or far back.  If it’s pulled too tightly, it may travel up the nose and obstruct your dancer’s view.  As you’ve already read, that’s a recipe for disaster.

Third, research the venue’s and/or competition company’s mask requirements very carefully (and as early as possible).  We were told that we needed to have masks (no gaiters or face shields).  However, one studio outfitted their dancers with the clear face shields (we saw them on the live stream).  Complying with the guidelines is essential; otherwise, we run the risk of fewer venues willing to host such events in the future.

Fourth, if the mask has that thin metal sliver on the nose bridge, use it.  Gently press it so it conforms to the shape of the nose, decreasing the risk of the mask sliding upwards once your dancer starts moving.  

Fifth, in the weeks leading up to the event, have your dancers practice with the actual mask (or an exact replica) of the one they will be wearing onstage.  Obviously, we don’t want our kids distracted by the feel of unfamiliar material, a different cut of fabric than they’re used to, etc. 

More than likely, our dancers are not going to be super-stoked about having to wear masks onstage. So it’s a good idea to do everything you can to minimize the impact ahead of time.  Competition days are already hectic enough, so taking some proactive steps can save time and sanity on this all-important day.

Work hard, have fun! – Danielle

Get ready to pack for the next big competition day with Competition Essentials – Costuming!

Follow me on Twitter: https://twitter.com/DanzingDanceMom

Dance-coach-turned-dance-mom to identical twin competitive dancers!

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