Pros and Cons of Block Scheduling
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The Pros and Cons of Block Scheduling, Part 1

Pros and Cons of Block Scheduling

In order to keep running their events, most dance competition companies have switched their traditional format to that of block scheduling.  A block schedule provides one “block” of time for just one dance studio to come in and perform ALL of their routines.  The duration could be a couple of hours to half a day, depending on how many numbers the dance school plans to compete.  Several variations of this format can be implemented as well; some competition companies do all solos/duos/trios from all the participating schools during one of the blocks, smaller schools can be grouped together in one larger block, etc.  Awards are handled differently than with a traditional format, but typically, the company live streams a virtual awards ceremony at the end of the event.  The hosts may give special judges’ awards, adjudications (four stars, diamonds, platinums, oh my), and/or scholarships at the end of each studio’s block, while the dancers are still there to receive them in person.  

As with anything in the dance world, we parents have some strong opinions about block scheduling.  When I asked for feedback on my Facebook post, the comments were as varied and divided as you might imagine (thank you to everyone who contributed).  Below, I’ve written a summary of the cons and pros (I figured I’d end on a positive note) that I’ve either heard about from dance moms and dance dads, or came to conclude myself.     

The Cons

Those of us that are familiar with the workings of the traditional dance competition format see these differences as detracting from the overall experience, compared to what we’re used to.

Missing Interactions With Others

For how big it is, the competitive dance community is surprisingly small (thanks, social media). When you’ve been in for a few years, you get to know other dancers from other schools (my girls have formed friendships with dancers they’ve met from thousands of miles away during the World Dance Pageant and other events).  Having the opportunity to see them in person has always been a perk for us, so missing those social interactions is a definite downside to the experience.

We’re missing the inter-studio interaction at dance events.

When you only see your own studio’s numbers take the stage, you lose out on seeing other schools’ routines.  Over the years, we’ve seen so many fresh, unique, and inspiring dances from other groups.  Competing among the best helps to elevate everyone; we teach our kids that, if they want to improve and perfect their craft, being the little fish in the big pond naturally motivates you to swim harder to keep up with the big fish.  With block scheduling, far fewer opportunities for this exist.

Rush Hour

Getting in the Zone

Most dance families that have participated in a block scheduling event have reported far less time to properly stretch and warm up each routine before the dancers hit the stage.  For obvious reasons, this increases the likelihood that pulled muscles, twisted limbs, and other injuries will result.  Also, dancers are more susceptible to anxiety with this rush-rush mentality, which can adversely affect their performance.  Without that extra time to stretch and focus, dancers might not have time to get into “the zone” mentally before they take the stage.

Make It Quick

Airplane sweat quick change
With so many numbers back-to-back-to-back, every dance mom will look like this at the end of the studio block.

Let’s talk about quick changes, which have become the order of the day with block scheduling.  With no routines from other studios to act as buffers, individual dancers might have to be on stage for the very next number!  Based on the buzz from parents, the organizers of these events have been pretty understanding when a routine needs to be delayed for one reason or another.  Even still, knowing that she has to be back on stage in just two numbers (or less!) can weigh heavily on the mind of any dancer, no matter how seasoned a professional she is.  With all of this chaos, mistakes can (and do) happen; buttons may not get firmly snapped, clasps may go unsecured, etc. (Lauren fell victim to a wardrobe malfunction and lived to tell the tale in To Top It All Off).  Those little moments that we relied on to double- and triple-check everything virtually disappear with the block scheduling format.

Lauren’s clasp came undone during a performance in a block-scheduled competition. Because she has so many numbers, she didn’t have the chance to double-check her costume before she took the stage.

No Rest for the Weary

Because of the nonstop action of a block schedule, dancers have less downtime.  Without longer stretches in between their numbers, fewer opportunities to rest and recharge exist.  These kids are getting tired, and we all know that injuries and mistakes happen when athletes are worn out (both mentally and physically).  My girls love grabbing a pink drink or vanilla frappuccino from the nearest Starbucks in between performances; these little refreshment breaks were a part of competition days that they could always look forward to before, but now they’ll need to wait until the event is over for the day (not the worst thing ever, but still…).

For the PROS (and a couple more cons), be sure to read The Pros and Cons of Block Scheduling, Part 2

Dance-coach-turned-dance-mom to identical twin competitive dancers!

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